{"id":13585,"date":"2014-09-19T01:00:43","date_gmt":"2014-09-19T05:00:43","guid":{"rendered":"https:\/\/southeastofheaven.com\/?p=13585"},"modified":"2014-09-19T13:28:33","modified_gmt":"2014-09-19T17:28:33","slug":"content-needed-blowin-wind-with-loneros-bill-lonero","status":"publish","type":"post","link":"https:\/\/www.southeastofheaven.com\/?p=13585","title":{"rendered":"Blowin&#8217; Wind with LoNero&#8217;s Bill Lonero: &#8220;Just because people have the ability to record a song doesn\u2019t mean that they should.&#8221;"},"content":{"rendered":"<p><strong><img decoding=\"async\" class=\"alignleft size-medium wp-image-13620\" src=\"https:\/\/southeastofheaven.com\/wp-content\/uploads\/10509555_10152206986591179_7077679389331459008_n-300x300.jpg\" alt=\"10509555_10152206986591179_7077679389331459008_n\" width=\"300\" height=\"300\" \/>I first heard LoNero in 2011 just after the release of their awesome album J.F.L. After one listen I was a huge fan. LoNero\u2019s sound was such a great one and it was not your typical instrumental band. With songs full of melody, great changes, and a lot of personality, LoNero was totally creating a whole new mold in a time where the shredding and note racing of the instrumental world can get to be just a bit much. As corny as it sounds, LoNero really was, and still is a breath of fresh air.<\/strong><\/p>\n<p><strong>It\u2019s hard to believe that it\u2019s been 3 years since our last interview so I couldn\u2019t wait to talk to leader\/songwriter Bill Lonero. LoNero is hard at work on a brand new album called The Defiant Machine and they are about to embark on a lengthy US tour with guitar legend Tony Macalpine. In this interview Bill and I talked about what he\u2019s been up to, why AC\/DC\u2019s Back In Black is so fucking awesome and he even offered up some clarity on the ill faded and cancelled Paul DiAnno tour that was supposed to happen this year. Enjoy y\u2019all!<\/strong><\/p>\n<p><strong>Bill Lonero! Are you awake?<\/strong><\/p>\n<p>Waking up? Isn\u2019t it like 2:00 over there [laughs]. Actually, I\u2019ve been up since 9am and watching Sanford and Son so I\u2019m good [laughs].<\/p>\n<p>=============================================<\/p>\n<p><strong>Man, thanks so much for taking the time out to do this interview. It\u2019s been too long! Actually, since 2011\u2019s release of JFL!<\/strong><\/p>\n<p>Thank you for doing this brother. Wow, it has been a while [laughs].<\/p>\n<p>=============================================<\/p>\n<p><strong>Last time we spoke LoNero had just put out one of my favorite albums of 2011, JFL. What was a personal highlight of yours after releasing that album?<\/strong><\/p>\n<p>Honestly, probably going on tour with Pat Travers. We did two weeks with those guys and it was a lot of fun. It was so painless. There was nothing that went wrong that that tour. We did 13 shows in 14 days so it was like a show every night. Everyone showed up on time, the gear was always on time, and the crowds were fantastic. It was really just a lot of fun.<\/p>\n<p>=============================================<\/p>\n<p><strong>Did you get much time to hang out with Travers and if so what did you take away from getting some time with him?<\/strong><\/p>\n<p>We hung out with him backstage a good bit and his band was just awesome. Pat is very chill and he sometimes would just show up at the show right before it was time to go on. He\u2019s not a big headed guy. He\u2019s definitely humble and that was really cool. I didn\u2019t really get anything from him musically because we\u2019re such different styles of playing. I don\u2019t know honestly if our audience would be into his stuff but his audience was definitely into us and that was cool.<\/p>\n<p>=============================================<\/p>\n<p><strong>Since we last talked LoNero has had a lineup change and has a new album on the way. Fill me in.<\/strong><\/p>\n<p>Brandon left and he was sad to leave and we were sad to see him go. He\u2019d been in the band for almost four years and he\u2019s a great player. He just wanted to go and do his own thing and I totally respect that. James, the new guy, is a totally different player. He\u2019s Slash influenced and he loves that kind of style. He\u2019s got more chops than Slash [laughs]. He\u2019s also really contributed already to the new album. He\u2019s got two songs that he was the nucleus to starting. To me, that\u2019s important because if you\u2019re going to be in the band, you\u2019ve got to contribute and not just show up and play what you\u2019re told to play. (Since this interview, LoNero added 3rd guitarist guitarist Nasser \u201cNas\u201d Abdalla to the band.)<\/p>\n<p>=============================================<\/p>\n<p><strong>J.F.L was such a great album and it was the album that really made me a fan. I loved the versatility of the songs and the overall production. What can we expect for the follow up album?<\/strong><\/p>\n<p>Thanks, Don. It\u2019s going to be way heavier than J.F.L. A lot of the songs are in Drop C so they have a very thick tone to them. It\u2019s just going to be a more involved album. I don\u2019t want to say \u201cprogressive\u201d but what we\u2019re doing is taking elements of progressive music and injecting them into a rock environment and just melding everything together. You won\u2019t be able to listen to one song and say, \u201cOh, this is what the album is going to sound like.\u201d To me, that is very important. I really want our albums to be like a menu. You look at a menu and there are all these different types of food on there. To me, that\u2019s what an album should be like. It should be different styles of music so that it\u2019s just not the same song over and over and over again. I say this but at the same time AC\/DC is my all time favorite band [laughs]. It\u2019s just not what I want to do.<\/p>\n<p><center><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/118007852&amp;color=ff5500\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/center>&nbsp;<\/p>\n<p><strong>How will the next album be released? Will it be a self-released thing or what?<\/strong><\/p>\n<p>Yeah, I think so. Honestly, I think that\u2019s the best way for us to go. We put out the last one on Nightmare Records. That was great and they got it into stores and Sony distributed it. If we could get distribution again that would be cool but I\u2019d love to have a little more control over where the album ends up. There are almost no brick and mortar stores out there anymore so it seems like online distributions is the way to go.<\/p>\n<p>=============================================<\/p>\n<p><strong>Bill, what is your take on the current state of music and why do you think that so many bands may never achieve the status of bands that came before them like Iron Maiden, Judas Priest, and so on?<\/strong><\/p>\n<p>The thing is that those bands had something that a lot of bands don\u2019t have now and that\u2019s great songwriting. That\u2019s why those songs are classics today. That\u2019s why you can still listen to those songs and love them because they are classic, well-crafted songs. These days, songs seem to be so pieced together and there\u2019s no continuity to the songs.<\/p>\n<p>=============================================<\/p>\n<p><strong>So let\u2019s talk about the white elephant in the room: Paul DiAnno. It was huge news all over that LoNero had been tapped as DiAnno\u2019s backing band for what was to be his last US Tour. What the fuck happened there?<\/strong><\/p>\n<p>I\u2019ll tell you all about it. It\u2019s no fault of Paul\u2019s and it\u2019s no fault of his manager\u2019s Lee. It was completely the scum bag booking agent here in the US that completely took advantage of Paul and lied to the fans. Worldwide Entertainment out of LA is the biggest scum on the planet. Chuck Bernal has had more lawsuits against him than you can shake a stick at.<\/p>\n<p>=============================================<\/p>\n<p><strong>So regardless of what everyone thinks, this wasn\u2019t Paul\u2019s doing.<\/strong><\/p>\n<p>Right. So Bernal went and booked all these US dates for Paul DiAnno. He had all these venues give him a deposit and he never had the visa for Paul like he was supposed to have. He was supposed to take care of the visa and pay for all that. Instead he pocketed all that deposit money. Tens of thousands of dollars and basically left Paul and LoNero just hanging and blew us all off. He kept telling us that he was working on it but obviously he didn\u2019t work on shit. It\u2019s really a shame because Paul\u2019s a really nice guy who has been taken advantage of a lot. That\u2019s the problem with booking agencies like this. How Chuck Bernal is still in the business I have no idea.<\/p>\n<p>=============================================<\/p>\n<p><strong>At what point did you know that you wanted to be a musician?<\/strong><\/p>\n<p>I was five years old and I heard Elvis Presley and that was it for me. Later on I was exposed to artists like Angus Young, Eddie Van Halen, Steve Vai, and Joe Satriani but Elvis was the thing that got it all started for me.<\/p>\n<p>=============================================<\/p>\n<p><strong>Why the guitar? Why not bass, drums, or clarinet?<\/strong><\/p>\n<p>[laughs] Because it\u2019s the coolest instrument on the planet. I mean, there\u2019s no other instrument that is as expressive as a guitar in my opinion. Ever tried to bend a note on a violin? It sounds like shit but if you bend a note on a guitar, it\u2019s just a beautiful thing. The other beautiful thing about the guitar is like, OK, if you play a clarinet in a rock band, it\u2019s still going to sound like a clarinet but you can take a guitar and put it the hands of a jazz player, it\u2019ll sound like jazz and if you put it in the hands of a metal player, it\u2019s going to sound like metal. It\u2019s so fucking expressive and dependent upon the person that is playing it. You can do so much with a guitar.<\/p>\n<p>=============================================<\/p>\n<p><strong>What song makes you say, \u201cDamn, I wish I wrote that\u201d every time you hear it?<\/strong><\/p>\n<p>Hm, probably \u201cIf I Could Dream\u201d which was sung by Elvis. That is such a powerful song with such a powerful message. Every time I hear that song I\u2019m just like, \u201cJesus Christ man.\u201d<\/p>\n<p>=============================================<\/p>\n<p><strong>In your opinion, what is the greatest guitar driven album that nobody should go without hearing?<\/strong><\/p>\n<p>AC\/DC\u2019s Back In Black. There is nothing that can hold a candle to the sound of that album. That\u2019s why it\u2019s such a legendary album. It\u2019s such a punch in the face and you just don\u2019t see albums with that kind of power anymore. Yeah, there\u2019s albums that are heavier and faster but there\u2019s just something about Back In Black that nobody can hold a candle to. Pretty much any guitar player will talk about the power of that album. That album is pretty much an encyclopedia of how to write great riffs. Any kid who is starting out on guitar should just put on that album and just listen to it from front to back. Listen to that interplay between the musicians.<\/p>\n<p>=============================================<\/p>\n<p><strong>Do you think that technology in music like ProTools and what not has done more harm than good or vice versa?<\/strong><\/p>\n<p>I think it\u2019s done more harm for sure. Without a doubt. You\u2019ve got people who have no business making an album putting albums out because it\u2019s easy for them to piece it all together on a computer. People who do that are just flooding the market and bands that truly are talented at what they do can\u2019t get heard. Just because people have the ability to record a song doesn\u2019t mean that they should. Just because I can debate something with someone doesn\u2019t mean I should go into a courtroom and defend somebody [laughs].<\/p>\n<p>=============================================<\/p>\n<p><strong>Bill, I love you and all but man, I would NEVER have you defending me in court.<\/strong><\/p>\n<p>Dude, you\u2019d be in there for a speeding ticket and they\u2019d just send you to the electric chair. I\u2019m sorry [laughs]<\/p>\n<p>=============================================<\/p>\n<p><strong>If you could have a 30 minute guitar lesson with anyone, alive or dead, who would it be and why?<\/strong><\/p>\n<p>Man, either Steve Vai or Joe Satriani. Steve Vai is such a great guy. People will say things about how arrogant or whatever he is but in all honesty he\u2019s a really sweet, nice guy. He deserves all that he has. He\u2019s a guitar player who does what he wants to do. Vai is a very confident guitarist.<\/p>\n<p><center><iframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/pFi0DtFp-Uw\" frameborder=\"0\" allowfullscreen><\/iframe><\/center>&nbsp;<\/p>\n<p><strong>This is true. Some would say he\u2019s arrogant but I think its more confidence than anything.<\/strong><\/p>\n<p>Vai really is a confident guitarist. He knows he\u2019s Steve Vai. I mean, the guy has been breaking ground since day one with Frank Zappa, then with David Lee Roth, then Whitesnake, Alcatraz, all of those bands. He always brought something cool to the table. He didn\u2019t just do what any other guitar player did.<\/p>\n<p>=============================================<\/p>\n<p><strong>If I wasn\u2019t a musician I would be __________________.<\/strong><\/p>\n<p>Oh man, I would be a pilot. Getting a pilot\u2019s license is something I really, really want to do anyways but if I wasn\u2019t a musician, I\u2019d be a pilot I think.<\/p>\n<p>=============================================<\/p>\n<p><strong>Bill, thanks so much for taking the time out to talk to me again dude. Let\u2019s not wait so long before the next one?<\/strong><\/p>\n<p>Absolutely brother. It was great talking to you!<\/p>\n<p>Be sure to check out LoNero on tour with Tony MacAlpine starting in October:<\/p>\n<p>Mon 10\/06\/14 \t\tDenver, CO \t\tQuixote&#8217;s True Blue \t<\/p>\n<p>Wed 10\/08\/14\t\tKansas City, MO\tDavey\u2019s Uptown Ramber\u2019s Club<\/p>\n<p>Fri 10\/10\/14\t\tChicago, IL\t\tReggies       <\/p>\n<p>Sat 10\/11\/14 \t\tWestland, MI \t\tThe Token Lounge <\/p>\n<p>Sun 10\/12\/14 \t\tCleveland, OH \t\tBeachland Tavern <\/p>\n<p>Mon 10\/13\/14 \t\tPittsburgh, PA \t\tHard Rock Cafe \t   <\/p>\n<p>Tue 10\/14\/14 \t\tPhiladelphia, PA \tNorth Star Bar<\/p>\n<p>Wed 10\/15\/14 \t\tDunellen, NJ \t\tRoxy &#038; Dukes <\/p>\n<p>Sat 10\/18\/14 \t\tCambridge, MA \t\tT.T. The Bear&#8217;s <\/p>\n<p>Sun 10\/19\/14 \t\tVienna, VA \t\tJammin&#8217; Java \t<\/p>\n<p>Mon 10\/20\/14 \t\tRaleigh, NC \t\tThe Pour House Music Hall <\/p>\n<p>Tues 10\/21\/14 \t\tAtlanta, GA\t\tSmith\u2019s Olde Bar  <\/p>\n<p>Wed 10\/22\/14 \t\tNashville, TN \t\tHigh Watt \t<\/p>\n<p>Fri 10\/24\/14\t\tDenton, TX\t\tDan\u2019s Silverleaf<\/p>\n<p>Sun 10\/26\/14\t\tAustin, TX\t\tSaxon Pub       <\/p>\n<p>Wed 10\/29\/14 \t\tScottsdale, AZ \t\tPub Rock<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I first heard LoNero in 2011 just after the release of their awesome album J.F.L. After one listen I was a huge fan. LoNero\u2019s sound was such a great one and it was not your typical instrumental band. With songs full of melody, great changes, and a lot of personality, LoNero was totally creating a whole new mold in a time where the shredding and note racing of the instrumental world can get to be just a bit much. As [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[194],"tags":[646,633],"class_list":["post-13585","post","type-post","status-publish","format-standard","hentry","category-interviews","tag-bill-lonero","tag-lonero"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=\/wp\/v2\/posts\/13585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13585"}],"version-history":[{"count":0,"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=\/wp\/v2\/posts\/13585\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.southeastofheaven.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}